Kenya’s Gideon Moi Installed As Kalenjin Tribal Elder



Kenya African National Union (KANU) political party Chairman, who is also the Senator for Baringo, Gideon Moi, was installed as a Kalenjin elder on Friday, three weeks after youths allied to Deputy President William Ruto blocked the event in Kapsisiywa, Nandi County.

The Friday dawn ceremony that lasted three hours was conducted by Kapsisiywo Talai elders.

“The elders handed him the community’s instruments of power and gave him mandate to look for the country’s leadership,” an official with knowlegde of the ceremony told a local radio station.

On January 2, supporters of the Deputy President blocked Moi’s convoy as he headed to Kapsisiywa for installation as an elder in renewed rivalry, pitting the two leaders as they position themselves for the presidency in 2022.

Senator Moi was accompanied by other leaders loyal to him when they encountered barricades erected by youths from Talai and Kapsisiywa.

He was headed to the home of Councillor Christopher arap Koyoki.

Attempts by the Senator to plead with the youths to listen to him from the sunroof of his vehicle fell on deaf ears as they shouted him down, with some heard saying “Ruto, Ruto.”

He then retreated to his vehicle and turned back.

Senator Moi was later seen sharing a meal with a group of youths and elders at Kabiyet trading centre, a few kilometers from Talai before he left.

There was a heavy security deployment in the area following the early morning stand-off.
Reports indicate that the youths were protesting Senator Moi’s plan to be installed as an elder, a position they said is held by Ruto.

Senator Moi’s plan to be installed as a Kalenjin elder are part of his preparations to take control of Rift Valley as he positions himself to vie for the presidency in 2022.

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QA Venue Solutions Rwanda Announces ‘Kigali Arena Logo Contest’



QA Venue Solutions Rwanda is looking for creative minds to create a logo for the ‘Kigali Arena, a once in a lifetime opportunity for Rwandans to stamp their creativity onto the Arena, one of the most famous African sporting and events venues.

The logo that will win the contest will be used not only in the Arena but also on all online, print, merchandise and visual collateral.

Announcing the contest, QA Venue Solutions Director, Kyle Schofield said that this contest is a great opportunity for the entire Rwandan community to engage with the Kigali Arena in a new way.

“The logo that will be chosen will be one that fulfils five major attributes, artistic appeal, originality, simplicity, relevance and most importantly, we are looking for a logo as iconic as the Kigali Arena,” he said.

To take part in this contest, visit the Kigali Arena website on and complete the Official Entry Form. The winning entry will be chosen by a judging panel that will include representatives from the artistic community, Government of Rwanda and the Kigali Arena management.

The deadline for submission will be 20, November 2020 (4:00 pm Kigali time). The winner of the Contest will be announced on 4, December 2020.

Terms and conditions apply.

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Jazz Is Not American Invention But Has Roots In Africa



Of all the genres of music, jazz is one of the most fluid—and one of the most unique. Anyone who has listened to greats like Louis Armstrong, John Coltrane, or Dizzy Gillespie knows what it’s like to hear scatting, flourishes, and unprompted solos; a mastery of jazz that seems almost effortless.

In order to realize the impact jazz music has had on many other genres, it’s important to look at where it came from. Although some people assume it’s a purely American invention, in truth, the roots of jazz music lie in African and European music traditions.

According to an article from Jazz in America, jazz can attribute its “rhythm and feel” and bluesy quality to traditional African music; as well as the ability to use an instrument as an extension of your own voice. The more rigid pieces of the jazz language—such as the harmony, chords, and instruments—come from a European influence. Of course, jazz also has strong roots in the African-American tradition; particularly with folk songs sung by slaves in the Southern United States.

It’s believed that once these musical traditions collided in the early 20th century—in New Orleans, Louisiana—what we know today as “jazz music” was born. It’s a fitting birthplace for a style featuring a loose, free-flowing combination of musical pieces. The raucous atmosphere of the port city allowed for musicians of all sorts to get together and learn from each other.

Today, jazz music is played around the world, and various regions have developed their own spinoff styles—including bossa nova in Brazil, cape jazz in Cape Town, and even Asian-American jazz, played with traditional folk instruments like the shamisen and taiko drums.

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Little Known Kingdom Of Eswatini, Africa’s Last Absolute Monarchy



Eswatini, officially the Kingdom of Eswatini and formerly known in English as Swaziland, is a landlocked country in Southern Africa. It is bordered by Mozambique to its northeast and South Africa to its north, west, and south.

The capital cities are Mbabane and Lobamba. This kingdom seats on a territorial size with Area: 17,364 km² with a Population: 1.136 million. Their currency is known as: Swazi lilangeni. For example 1000 Swazi lilangeni= U$61.16.

Mswati III aged 52, (full names Makhosetive Dlamini ) is the king of Eswatini and head of the Swazi Royal Family. He was born in Manzini in the Protectorate of Swaziland to King Sobhuza II and one of his younger wives, Ntfombi Tfwala.

Artifacts indicating human activity dating back to the early Stone Age have been found in the Kingdom of Eswatini. Prehistoric rock art paintings date from c. 25,000 B.C. and continuing up to the 19th century can be found in various places around the country.

The area that is now eSwatini has been inhabited for millennia, and human-like remains possibly dating back as far as 100,000 years have been discovered around the Lebombo Mountains in eastern eSwatini.

However, today’s Swazis trace their ancestors to much more recent arrivals. By around AD 500, various Nguni groups had made their way to the region as part of the great Bantu migrations.

One of these groups settled in the area around present-day Maputo (Mozambique), eventually founding the Dlamini dynasty. In the mid-18th century, in response to increasing pressure from other clans in the area, the Dlamini king, Ngwane III, led his people southwest to the Pongola River, in present-day southern eSwatini and northern KwaZulu-Natal.

This became the first Swazi heartland. Ngwane’s successor, Sobhuza I, established a base in the Ezulwini Valley, which still remains the centre of Swazi royalty and ritual.

Next came King Mswazi (or Mswati), after whom the Swazi take their name. Despite pressure from the neighbouring Zulu, Mswazi succeeded in unifying the whole kingdom. From the mid-19th century, eSwatini attracted increasing numbers of European farmers in search of land for cattle, as well as hunters, traders and missionaries.

Over the next decades, the Swazis saw their territory whittled away as the British and Boers jostled for power in the area. In 1902, following the Second Anglo-Boer War, the Boers withdrew and the British took control of eSwatini as a protectorate.

Struggle for Independence Swazi history in the early 20th century centred on the ongoing struggle for independence.

reed dance

Under the leadership of King Sobhuza II (guided by the capable hands of his mother, Lomawa Ndwandwewho, who acted as regent while Sobhuza was a child), the Swazis succeeded in regaining much of their original territory. This was done in part by direct purchase and in part by British government decree.

This was a major development, as Swazi kings are considered to hold the kingdom in trust for their subjects, and land ownership is thus more than just a political and economic issue.

Independence was finally achieved – the culmination of a long and remarkably nonviolent path – on 6 September 1968, 66 years after the establishment of the British protectorate.

The first Swazi constitution was largely a British creation, and in 1973 the king suspended it on the grounds that it did not accord with Swazi culture.

Four years later parliament reconvened under a new constitution vesting all power in the king. Sobhuza II died in 1982, at that time the world’s longest-reigning monarch.

In 1986 the young Mswati III ascended the throne, where he continues today to represent and maintain the traditional Swazi way of life and to assert his pre-eminence as absolute monarch.

Culture and Customs

The Kingdom of Eswatini is also renowned for its wealth of culture. With ceremonies and festivities (like the famous “reed dance” and the Marula Festival) taking place all year long.

In eSwatini, it’s customary for women to not eat the head or feet of a cow. It is believed that if a woman eats the brains of a cow, she will become intelligent; if she eats the tongue, she will talk back to her husband; and if she eats the feet, she will run away. For the same reason, Swazis say that you should never buy your wife a pair of shoes.

Dance is key to the Swazis’ cultural identity, and every single member of the community is expected to participate during cultural celebrations. Every year, 10,000 young women perform for the Queen Mother at the Umhlanga (Reed Dance Festival), while the men get their turn before the king at the Incwala, which takes place during the summer solstice. Not surprisingly, the dancers were the most important part of the 50:50 celebrations.

eSwatini’s kings are polygamous. Mswati III has 15 wives and his father, Sobhuza II (the longest reigning monarch in history) had 70. That makes for a huge number of princes and princesses. You can generally spot a member of the royal family in a crowd because they are entitled to wear red feathers in their hair.

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