On my way home, the taxi driver told me about the soccer game he had been watching. The team he was rooting for had lost. I, in turn, told him about the event I had just attended, explaining that after 43 years of absence, Miss Morocco was now back on the map of the Miss Universe competition.
When I shared with him that I came in second place, he, strangely enough, informed me that I may be called to represent Morocco in case of injury involving the first place winner. I immediately discarded the idea, as I did not wish such a thing upon Fatima Zahra, the newly crowned Miss Morocco. She carried the title beautifully, and we were all so proud of her.
I arrived home and continued my night telling my aunt and mother about the emotionally-charged experience I had during the pageant, feeling as if my grandmother was hovering above me the entire time.
Call it a premonition or fate – the taxi driver’s words later became a reality, which meant I was going to Israel to represent Morocco during the Miss Universe 2021 competition. Life’s events are not as arbitrary as they may be perceived, after all. Although Fatima Zahra’s injury was unfortunate, I think that it served to teach us different lessons. She kindly expressed her trust in my abilities, her benevolent candor highlighting her inner radiance.
Today, she continues to personally and professionally blossom, and it has been a true pleasure witnessing it from afar.
Not everyone was supportive. The political climate around Israel and Palestine has always been delicate, and the subject’s fabric is still very fragile. As such, when the Miss Universe event location was announced, people immediately began to express discontent on social media.
At the same particular time, the political relationship between Algeria and Morocco was also sensitive, and my grandmother’s Algerian roots created an additional issue for some people. As soon as I was announced as the newly crowned Miss Morocco, a video depicting me sharing my grandmother’s life story in order to demonstrate the power of choice provoked a public debate about my legitimacy as an ambassador of Morocco.
My name seemed to suddenly appear in the news as some journalists evidently sought to commodify the story. Others working in the media described the phenomenon as a strategic maneuver to generate more “buzz” – a publicity stunt. On the other side of the screen, I continued to ponder the notion of identity.
Jerusalem is described as the city of peace, yet it holds the pain and passions of diverse peoples. We walked along its storied streets marked with remnants of religious patrimony, a pattern of temples, churches, mounts, and mosques across its surface, mapping something like a constellation. This route of sacred sites held more than nominal significance for me. As my ears rang to the greetings of “shalom” and “salam,” I wished for just that: peace.
With over one million people in Israel being of Moroccan Jewish ancestry, I was frequently approached by individuals who proudly expressed their families’ Moroccan origins. They generously offered me tokens of appreciation, including my evening gown and various foods as well as smiles, hugs, songs, dances, and cheers, sharing a deeply rooted sense of amity. With a declining Moroccan Jewish population, its stories felt like echoes of a distant past. I had educated myself and was aware about this history of my country, but the experience of being exposed to the number of people who came to me and expressed how widespread the Moroccan Jewish past is remembered and celebrated was eye-opening and wonderful.
One evening, Miss Universe 2020, Miss USA, Miss Israel, and I all had the pleasure of dining at the home of the mayor of Eilat, Eli Lankri. His wife, who was contagiously jolly, had prepared an array of familiar dishes—couscous and shebakiya among them. The melodies of an oud accompanied us as we spoke of the childhood memories the hosts had formed in Morocco.
Stories that came into being long before my existence were intergenerationally transmitted so that what had previously felt like echoes of the past instead took shape as symphonies. While in Israel, I became fascinated by the land, by its juxtaposition of faiths, by the fact that the nearby Dead Sea is the lowest point on Earth. I contemplated that maybe, just maybe, this mix of the high and low has created a unique midpoint, one that celebrates difference, coexistence, and understanding.
Growing up, I attended an American school in the morning and returned home to speak Darija and French. I then extended my academic journey in France while pursuing an anglophone program. Exploration was my native language, and the cultural dichotomy I grew up in was where I felt most comfortable. The people I met during my stay, though they had not been to Morocco in years, considered themselves to be as Moroccan as any other Moroccan citizen. So, how does one measure Moroccanness?
For me, being Moroccan means to have the ability to hold space for two. Being Moroccan means to have freedom inculcated in our biological blueprint. Adorned with colorful intricacies, our tables, tapestries, ceilings, floors, and living rooms continue to celebrate our innate vibrance. The Moroccan man walks to the end of his sentences with hope and gratitude. The Moroccan woman wears courage on her sleeve as she gracefully embodies liberty. Morocco is where despair surrenders to faith and where cynicism is traded with a wise smile or a warm piece of homemade bread – empathy being the currency.
Kawtar Benhalima is the Miss Universe Morocco 2021 runner-up. She is an avid philanthropist, artist, and entrepreneur who has co-created a jewelry line with her sister. She earned a Bachelor’s degree in Business Administration from ESSEC Business School in Paris and has been involved in the world of expression and celebration of identity since the age of 7. Ms. Benhalima has worked with various Moroccan associations advocating for education and distribution of goods to people in need, including as a volunteer with the High Atlas Foundation. Today, she works with a French marketing agency and looks forward to pursuing a graduate degree in the field of communication.
This article was completed with the support of the United States Agency for International Development (USAID), and the High Atlas Foundation is solely responsible for its content, which does not necessarily reflect the views of the USAID or the Government of the United States. The USAID Dakira program, implemented by the High Atlas Foundation and its partners, aims to strengthen inter-religious and inter-ethnic solidarity through community efforts that preserve cultural heritage in Morocco.